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williamr
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Diy Cartoon Drawstring Backpack Cheap, Drawstring zipper Backpack, henrylightings.com

Post by williamr » Wed Jun 30, 2021 3:23 am

First, here’s a recent discovery. This might be the earliest known artwork by Art Davis (then fifteen years old). It was published in The Yonkers Herald on January 28, 1921. A corresponding photo of the high school students that submitted drawings to the Yonkers Chamber of Commerce was published February 10, where Davis can be seen in the lower far right.

At the event, before a stadium of spectators, Spongebob trembles in anticipation of his friends finding out he’s a fraud, while a card section of bleacher fans chants his name. One by one, the contestants fling anchors five times their size. A first shot of 200 yards barely misses the official in charge of measuring the tosses, The stadium announcer calls for an instant replay, and a second anchor drops next to the first, flattening the official. Sandy’s trurn arrives, and she combines her throw with a judo kick, sailing her anchor for a flight of a whopping 500 yards. “Beat that” she challenges Spongebob. Spongebob tries to convince himself he can do this to avoid the humiliation, and blows extra air into each inflatable arm as insurance. He tugs and pulls at the anchor to no avail, then climbs to jump with his whole weight on the anchor crossbar. He only succeeds in tipping the anchor over sideways upon him. Crawling out of the sand, Spongebob plays that he was “Just kidding”, getting a laugh from the crowd. He continues to tug on the fallen anchor, but his exertion begins to shift the air from his appendages into other parts of his body, such as his nose, his eyeballs, and eventually ballooning up his entire torso. The air suddenly shifts entirely back into the arms again, submerging him into a bubbling mass of inflated runner, followed by an explosive pop. Spongebob’s arms wither like festooning ribbons, falling to the ground, as his own arms pop out of his torso to take their place. “I think he lost”, whispers one of the spectators in the card section – and they suddenly change their cards and allegiance to hail the praises of Sandy. Sandy walks up to Spongebob, impatiently tapping her foot, as Spongebob woefully looks upwards at her in hope of sympathy. Without a word exchanged between them, Sandy drags Spongebob off the field. The final scene has Spongebob in Sandy’s airdome, where Spongebob sweats under the effects of Sandy’s new exercise program for him. As he counts up to 100, Sandy insists that he give her 100 more. The exercise? Pushing the button on her TV remote – the kind or exercise Spongebob can handle. Well, maybe, maybe not, as Spongebob’s arm falls off again, and Spongebob asks, “Can you get that?”

One of the unsung heroes of this soundtrack album is Randy Edelman, composer for film (Kindergarten Cop, Angels in the Outfield), TV (MacGyver, Briscoe County, Jr.) and pop stars (Barry Manilow’s “Weekend in New England”). The entire feature benefits from his melodic skills, right from the opening with the Main Theme. Edelman wrote this composition for the film’s balloon ascension sequence, beautifully rendered in smooth harmony with the Chipmunk and Chipette voices. It’s not grating, it’s just great.

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Here is a true discovery: note the animation credit given to Ray Patin (!!!). This is Patin’s only credit during his brief time at Warner Bros. and the copyright catalog got it wrong! Perhaps Warner Bros. provided the wrong information in the first place, but copyright entry lists Robert Cannon for animation – and that was transposed into my book, Looney Tunes and Merrie Melodies (1989). Cannon did animate on the film – the opening and closing shots in particular – so him being credited isn’t a mistake. But poor Ray Patin’s been denied his WB acknowledgement for almost 80 years.

The film showcases a parade of Goofy films from Jack Kinney’s sports and “How To” series, including, The Art of Self Defense, The Olympic Chanp, Goofy Gymnastics, How to Swim, How to Play Golf, and How To Play Football, with new Von Drake narration replacing the original cartoon announcers. Between these films, Ludwig encourages prospective members to join his health club, and “work with a dumbbell”. In a clever piece of self-parody, Ludwig places a black dumbbell atop his head, resembling the ears of Mickey Mouse, and sings a few bars of the Mickey Mouse Club March, spelling his own name in place of Mickey’s. In lead-in to Goofy Gymnastics, Ludwig offers to “send the gym to you” in a convenient package, for “$999.99 – down”. Set it up in your office. Your business may go to pot, but you’ll lose your pot, too. He illustrates the home course’s benefit with his exercise record. He starts to play side one, and the voice comes out at the speed of a chipmunk, while Drake futilely attempts to keep up with its rhythm. Three birds looking in at the window exchange signs that Von Drake is a cuckoo. Then Drake realizes his mistake. “I was playing it a 78. That’s the size of my waist. 33 is what it should be – and I’m not kiddin’.” The last half of the show is devoted primarily to the classic animation, with Von Drake promoting his book on competitive sports, which, he promises, will bring you a lot of exercise – just by lugging around the weight of the encyclopedia-sized volume. A version of the show is included below, which leaves the audio track intact but excises the imagery of the classic Goofy cartoons – a sort of “do it yourself kit” for anyone with editing equipment who wants to try to reassemble the cartoons in their proper position – and has a lot of time on his hands.Drawstring zipper Backpack

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Their constant nemesis, Dishonest John was already on the moon in hopes of making a fortune shipping the moon’s cheese back to Earth. Of course, wherever there is cheese, there will be mice, who are the residents of the moon.

Winnie the Pooh and the Honey Tree (Disney, 2/4/66 – Wolfgang Reitherman, dir.), introduced to the American animated screen that whimsical, honey-crazed, lovable roly-poly teddy bear of A.A, Milne’s creation, along with a cross-section of regular supporting cast members, excepting Tigger and Piglet (who would have to wait for storylines for their characters until the follow-up, “Winnie the Pooh and the Blustery Day”). As with Yogi, Pooh could hardly be called a suitable spokesman for physical fitness, with his never-ending appetite for that sticky yellow bees’ favorite. But Pooh, having a high degree of pride both in being stuffed with fluff and stuffed in general, is likewise not prone to putting himself on a diet, either. So how does exercise fit into his regimen? In an almost subversive idea for its time, the Sherman Brothers compose a song for Pooh to begin each day with a morning “stoutness exercise”, intended to accomplish only one goal – to make him all the hungrier to devour honey! The lyrics to the song are a gem.

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